“vexatious.”

G tha Journalist Avatar
4–6 minutes

my second published poem, “vexatious,”opens a window to what survival mode truly looks like. it paints a picture of how your mind can become a battleground when life—and the people you encounter—are incapable of truly holding space for you.

i wrote this piece on january 12th, 2025. i woke up at like five or six in the morning feeling deeply undeserving of things like love, care, etc.

as i wrote this newer piece, i came to a deep realization:

i’ve been living in survival mode for at least fifteen years.

roots planted in malnourished soil.

i wasn’t given the space for my depth and complexity to thrive.

i grew up in a household with traditional parents who held tightly to the idea of “a child stays in a child’s place.” my dad especially believed in this. he pushed me so hard as a kid.

i had to be perfect.

yet, i wasn’t in his eyes. his approval was never really there. i was expected to perform, literally and i guess figuratively too.

i also dealt with bullying from family and other people around me. i struggled with my weight as a kid and people made sure to make a point of it. my siblings—specifically my sister—even played a role, calling me ugly and fat when i was already not confident in myself as a teen.

my life has seemingly always been a performance with hints of the real me peering from the shadows, attempting to whisper who i was really was.

i was forced to handle the pressure of life in this way. i’ve never truly known who i was at my core because of it all. understanding myself was further fractured.

2019 self “portrait” during a very low point in my life.

seeds sewn with pesticides.

i was so pressed for validation from the external—especially with men. as a teen, the experiences with them were traumatic from the start.

i was sexual assaulted by three male family members, two on my mom’s side and one on my dad’s.

i didn’t have the language to process what was happening to me—or the safety to say no. i knew it was wrong, and I was scared. but at the same time, the attention felt confusingly validating.

it lasted for a while until i was about fifteen or sixteen. by then, my worth and sense of self was tied to objectification. i leaned into being “wanted,” or lusted after, and became quite male-centered. and continued to live that way for years.

i was alone, dealing with all of this.

baring strong but rotting fruit.

i had to wear masks that developed from these experiences. i learned that no one will be here for me or truly understand my pain. i was engulfed by criticism and rejection.

i learned to question trust, stay in control, protect myself and hide behind multiple variations of the Melpomene and Thalia i needed to survive.

graphic by g.

control felt safe as i got older. but i may have overdone it in some situations. eventually, i started to blame myself when things went wrong or fell apart.

at times, i still do.

i—my brain was conditioned to be this way…and it’s been so exhausting.

i didn’t know how to cope with feeling “different” all the time—even as a kid. i felt more sensitive than others as well as intense and, i guess, complicated.

shit fucking bothers me, okay!? i WAS JUST TOO COMPLEX for SUCH SHALLOW SPACES I FOUND MYSELF IN.

my pain shape-shifted me so much. it has consumed me and the performance has become so hard to keep up…unless i’m alone.

right now, i’m at war with myself. its because i am complex or complicated or whatever. and i’m still wrapping my head around that in itself.

from new soil comes a new seed.

letting go and healing this version of myself is one of the hardest things i’ve done—ever!

vexatious” speaks to the tug-o-war of who i’ve been and who i actually am.

on this journey, i feel like i’m swimming upward in tar and only my eyes break the surface. i see more for myself—i see me. even though getting out of the tar feels so impossible, unfamiliar, and petrifying.

this poem drips with imagery that i hope takes you on a visual ride, like a short film with only a script, to show you that this personal journey is nonlinear.

again i say, this journey is NOT linear.

i really hope that ‘vexatious” invokes some sort of emotion in you. writing is how i cope with the ups and downs of my journey, and i wanted to share that today. 

this piece may become part of a collection of works i’m building, highlighting self-acceptance and my complexities. 

we’ll see. 

-signed g tha e.


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